海德堡大學晚清相關研究論文書目(傅朗)
Catherine V. Yeh (葉凱蒂) – Associate Professor翻譯社 Boston University City, Courtesan, and Intellectual: The Rise of Entertainment Culture in Shanghai 1850-1910. University of Washington Press, 2005. “Playing with the Public: Late Qing Courtesans and Their Opera singer Lovers” in Bryna Goodman and Wendy Larson eds., Gender in Motion: Divisions of labor and Cultural Change in Late Imperial and Modern China. Lanham翻譯社 MD: Rowman & Littlefield翻譯社 2005翻譯社 pp. 145-168. “The Press and the Rise of Peking Opera Singer As National Star: The Case of Theater Illustrated (1912-17)翻譯社” East Asian History 2004 (Winter issue). “Where is the Center of Cultural Production? -- The Rise of the Actor to National Stardom and the Beijing / Shanghai challenge (1860s-1910s)翻譯社” Late Imperial China 2004 (Winter issue) “Creating the Urban Beauty: The Shanghai Courtesan in Late Qing Illustrations” in Judith T. Zeitlin and Lydia H. Liu eds.翻譯社 Writing and Materiality in China. Cambridge Mass.: Harvard University East Asian Center翻譯社 2003翻譯社 pp. 397-447. “A Public Love affair or a Nasty Game? -- The Chinese Tabloid Newspaper and the Rise of the Opera Singer as Star翻譯社” European Journal of Asian Studies翻譯社 No. 3. 2003. “Reinventing Ritual: Late Qing Handbooks for Proper Customer behavior in Shanghai Courtesan Houses” in Late Imperial China翻譯社 19.2 (Dec. 1998):1-63. “The Life-Style of Four Wenren in Late Qing Shanghai翻譯社” in Harvard Journal of Asiatic Studies翻譯社 57.2翻譯社 (Dec. 1997)翻譯社 pp. 419-470. “Creating a Shanghai Identity - Late Qing Courtesan Handbooks and the Formation of the New Citizen翻譯社” in Tao Tao Liu and David Faure eds.翻譯社 Unity and Diversity: Local Cultures and Identities in China. Hong Kong University Press, Hong Kong, 1996, pp. 107-123. 〈文化記憶的負擔——晚清上海文人對晚明理想的建構〉,載陳平原、王德威、高偉編《晚明與晚清——歷史傳承與文化創新》(武漢:湖北教育出版社,2002), p.. 53-63. 〈從十九世紀上海地圖看對城市未來定義的爭奪戰〉,載《中國學術》3:88-121 (2003). 〈哪裏是上海?——十九世紀上海地圖與城市形象的爭奪戰〉,載《二十一世紀》48:72-92 (1998). 〈上海:世界遊戲場——晚清妓女生意〉,載張仲禮編《中國近代城市——企業、社會、空間》(上海:上海社會科學院出版社,1997), p. 308-35. 〈清末上海妓女服飾、家具與西洋物質文明的引進〉,載《學人》9:381-436 (1996). 〈以看一幅畫的方式來讀《孽海花》——晚清文學中的傳統藝術手法與新小説的結合〉,載胡曉真編《中國現代文學國際研討會論文集:民族國家論述——從晚清、五四到日據時代臺灣新文學》(臺北 : 中央研究院中國文哲研究所籌備處, 1996), p. 85-116. Rudolf G. Wagner (瓦格納) – Professor, University of Heidelberg “The Role of the Foreign Community in the Chinese Public Sphere” in China Quarterly 142:423-443 (June 1995). “The Shenbao in Crisis: The International Environment and the Conflict between Guo Songtao and the Shenbao,” Late Imperial China 20.1:107-138 (1999). 〈申報的危機 ﹕1878-1879年申報與郭嵩燾之間的沖突和國際環境〉,張仲禮、熊月之編《中國近代城市發展與社會經濟》(上海:上社會科學院出版社,1999),pp. 286-306. “The Early Chinese Newspapers and the Chinese Public Sphere,” European Journal of East Asian Studies 1.1:1-34 (2001). 〈進入全球想象圖景:上海的點石齋畫報〉,載《中國學術》8:1-96 (2001). 〈申報館早期的書籍出版〉,載陳平原、王德威、高偉編《晚明與晚清——歷史傳承與文化創新》(武漢:湖北教育出版社,2002), p.. 169-178. Barbara Mittler – Professor, University of Heidelberg A Newspaper for China? Power, Identity and Change in Shanghai’s News Media, 1872-1912. Cambridge: Harvard University Press (Asia Monographs Series 226), 2004. 〈從上海報紙看上海人形象和聲音〉,載張仲禮編《中國近代城市——企業、社會、空間》(上海:上海社會科學院出版社,1997), p. 266-271. “Defy(N)ing Modernity: Women in Shanghai’s early News-Media (1872-1915),” 載近代中國婦女史研究 2003.12: 215-259. “‘Much-Maligned and Never Loved?’ A Powerful Lady’s Negative Press—the Empress Dowager Cixi and Pearl S. Buck,” 載近代中國婦女史研究(印刷中) 民國時期婦女期刊網站:http://www.sino.uni-heidelberg.de/womag/ Natascha Gentz (Natascha Vittinghoff) – Professor, University of Edinburgh Die Anfänge des Journalismus in China (1862-1911) [The Origins of Journalism in China]. Wiesbaden: Harrassowitz, 2002. Mapping Meanings. The Field of New Learning in Late Qing China. Leiden: Brill, April 2004. (Ed.) with Michael Lackner. “Readers, Publishers and Officials in Contest for a Public Sphere and the Shanghai Newspaper Market in Late Qing,” T'oung Pao, 2001, no. 4-5. pp. 393-455. “Unity vs Uniformity: Liang Qichao and the Invention of a ‘New Journalism’ for China,” Late Imperial China翻譯社 23.1 (June 2002). pp. 97-143. “‘British Barbarians’ and ‘Chinese Pigtails’? Translingual Practice in a Transnational Environment in 19th Century Hongkong and Shanghai翻譯社” in Bryna Goodman (ed.). Special Issue of China Review: “Transnational Dimensions of the Chinese Press” 4.1 (spring)翻譯社 2004, pp. 27-54. “Introduction” and “Social Actors in the Field of New Learning,” in: dies. mit Michael Lackner (eds.). Mapping Meanings. The Field of New Learning in Late Qing China. Leiden : Brill, 2004, pp. 1-22, 75-118. 〈讀者之聲——上海和香港最早報紙裏的讀者來信〉,載張仲禮編《中國近代城市——企業、社會、空間》(上海:上海社會科學院出版社,1997), p. 260-66. “Why did Wang Tao go to Hongkong? Some preliminary observations and questions raised by unpublished documents from the Public Record Office ( London ),” Contemporary Historical Review, vol. 1, no. 3, 1999. pp. 60-68. 〈香港報業先鋒——王韜〉,載林啟彥, 黃文江主編《王韜與近代世界》(香港 : 香港教育圖書公司, 2000). “Who is the most Chinese? Patriotism as a Sales Argument and the Market Strategies of Wang Tao's Xunhuan Ribao (1874),” History and Culture, vol. 2, 2000. Andrea Janku – Assistant Professor, SOAS, University of London “Sowing Happiness: Spiritual Competition in Famine Relief activities in Late Nineteenth Century China,” 民俗曲藝, No. 143 (March 2004), special issue on "Disasters and Religion翻譯社" edited by Paul Katz翻譯社 89-118. “Preparing the Ground for Revolutionary Discourse: From the Jingshiwen Compilations to Journalistic Writings in Nineteenth Century China翻譯社” T'oung Pao 90 (2004.1-3)翻譯社 65-121. Nur leere Reden. Politischer Diskurs und die Shanghaier Presse im China des späten 19. Jahrhunderts [Just empty talk: Political Discourse and the Shanghai Press in late 19th Century China]翻譯社 Wiesbaden: Harrassowitz, 2003 (English summary). “Translating Genre: How the Leading Article Became the Shelun,” in Michael Lackner, Natascha Vittinghoff, eds., Mapping Meanings. The Field of New Learning in Late Qing China, Leiden: Brill, 2004, 329-353. 〈現代都市的文人和知識分子的社會責任——試論《申報》主編上海黃協塤〉,載張仲禮編《中國近代城市——企業、社會、空間》(上海:上海社會科學院出版社,1997), p. 272-295. 初期申報索引 Electronic Index to the Early Shenbao (1872-1898): http://www.sino.uni-heidelberg.de/database/shenbao/manual.htm
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